{"id":6638,"date":"2022-07-11T12:17:05","date_gmt":"2022-07-11T12:17:05","guid":{"rendered":"https:\/\/catunescoforum.upv.es\/?p=6638"},"modified":"2022-07-15T10:19:26","modified_gmt":"2022-07-15T10:19:26","slug":"un-acontecimiento-historico-en-formato-de-prueba-simulacro-de-incendio-en-el-museo-de-bellas-artes-de-valencia-gva","status":"publish","type":"post","link":"https:\/\/catunescoforum.upv.es\/?p=6638","title":{"rendered":"UN ACONTECIMIENTO HIST\u00d3RICO EN FORMATO DE PRUEBA: SIMULACRO DE INCENDIO EN EL MUSEO DE BELLAS ARTES DE VALENCIA (GVA)"},"content":{"rendered":"\n

El pasado martes 5 de julio<\/strong> la C\u00e1tedra Unesco Forum Universidad y Patrimonio Cultural (UPV) acudi\u00f3 al simulacro de incendio realizado en el Museo de Bellas Artes de Valencia<\/strong>. Esta instituci\u00f3n custodia cerca de 30.000 obras entre las que se encuentran firmas como las de Sorolla, Joan de Joanes o Vel\u00e1zquez.<\/p>\n\n\n\n

La identidad que otorga el patrimonio valenciano se puso a prueba bajo la direcci\u00f3n de la Agencia Valenciana de Seguridad y Respuesta a las Emergencias (AVSRE)<\/strong> y la Direcci\u00f3n General de Cultura y Patrimonio<\/strong>, quienes coordinaron a un centenar de efectivos pertenecientes al Servicio de Bomberos del Ayuntamiento de Valencia, Polic\u00eda Local, Unidad de Patrimonio de la Generalitat y Conselleria de Sanitat.<\/p>\n\n\n\n

\n
\"\"
Restauradoras del IVCR+i, Cuerpo de Bomberos, Polic\u00eda Nacional, Protecci\u00f3n Civil y periodistas alrededor de la mesa de control<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Sobre las 11:02 h sonaba la alarma ac\u00fastica que alertaba del inicio del simulacro y todos los cuerpos se pusieron en marcha para llevar a cabo, en primer lugar, la evacuaci\u00f3n de las personas que se encontraban en las salas, el control del incendio y el posterior traslado de las obras de arte simuladas.<\/p>\n\n\n\n

Este procedimiento basado en la formaci\u00f3n en casos de emergencia ha sido financiado por el Ministerio de Econom\u00eda y Competitividad, cuyo objetivo es la amplitud de miras en cuanto a estrategias de respuesta a emergencias en escenarios como el muse\u00edstico<\/strong>. El cuerpo de t\u00e9cnicos del Institut Valenci\u00e0 de Conservaci\u00f3, Restauraci\u00f3 i investigaci\u00f3 (IVCR +i) estableci\u00f3 una jeararqu\u00eda de trabajo que permiti\u00f3 optimizar todas las acciones. En ella se pudo observar la divisi\u00f3n de actividades en tres grandes grupos t\u00e9cnicos: manipulaci\u00f3n, triaje y embalaje.<\/p>\n\n\n\n

\n
\"\"
Fase de manipulaci\u00f3n<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Fase de triaje<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Fase de embalaje<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

\u00b7 Grupo t\u00e9cnico (GT) de manipulaci\u00f3n: encargado de la evacuaci\u00f3n de las obras del museo. En esta fase se ha podido observar al equipo protegido con la indumentaria necesaria para este tipo de acontecimientos -mono ign\u00edfugo completo, brazalete reflectante y el correspondiente logo de la instituci\u00f3n acompa\u00f1ado de mascarillas espec\u00edficas-<\/p>\n\n\n\n

\u00b7 Grupo T\u00e9cnico (GT) de triaje: una vez situadas las obras sobre las mesas bajo unas carpas montadas de forma improvisada por Protecci\u00f3n Civil, los t\u00e9cnicos establecieron un an\u00e1lisis del estado de conservaci\u00f3n, identificando as\u00ed, las patolog\u00edas y realizando una divisi\u00f3n entre obras que se encontraban h\u00famedas y secas.<\/p>\n\n\n\n

\u00b7 Grupo T\u00e9cnico (GT) de embalaje: en este punto, las obras eran embaladas con material tis\u00fa y trasladadas tanto al veh\u00edculo de transporte, aquellas que necesitaban una intervenci\u00f3n urgente, como al almac\u00e9n del museo las que no presentaban deterioros.<\/p>\n\n\n\n

\"\"
Protecci\u00f3n Civil simulando el traslado de una obra al almac\u00e9n del Museo de Bellas Artes<\/em><\/figcaption><\/figure>\n\n\n\n

Todos estos procedimientos fueron monitorizados desde un punto de control construido de manera instant\u00e1nea por los Bomberos tras su llegada. En ellos se encontraban representantes de todos los cuerpos participantes y miembros, a su vez, del equipo Mission Track<\/em> Ingenier\u00eda y Sistemas S.L, quien ha desarrollado una aplicaci\u00f3n (Mission Track<\/em>) que permite controlar el estado y la evoluci\u00f3n de los procedimientos de las obras de arte en tiempo real. En el simulacro acudieron en su representaci\u00f3n V\u00edctor Ba\u00f1uls (director cient\u00edfico) y Eduardo del Palacio (ingeniero de Software).<\/p>\n\n\n\n

Adem\u00e1s, se cont\u00f3 con la presencia, tanto de invitados como de observadores, quienes ofrecieron un informe final de mejoras de la actuaci\u00f3n, entre ellos los representantes del Instituto Andaluz del Patrimonio Hist\u00f3rico (IAPH).<\/p>\n\n\n\n

Cabe destacar, por \u00faltimo, la labor y la predisposici\u00f3n de los 15 voluntarios de Protecci\u00f3n Civil de varios municipios de Valencia, quienes fueron previamente instruidos en la manipulaci\u00f3n y transporte adecuados de las obras de arte.<\/p>\n\n\n\n

En definitiva, un acontecimiento hist\u00f3rico en formato de prueba que nos permite estar alerta y preparados en caso de una cat\u00e1strofe inminente, como puede ser el incendio. Toda la identidad que otorga el arte valenciano y el que encierra el Museo de Bellas Artes se vio altamente protegida gracias a la cooperaci\u00f3n de todos los cuerpos t\u00e9cnicos y de seguridad. Conocer el valor de lo que tenemos es la estrategia de emergencia clave para la protecci\u00f3n de nuestro patrimonio.<\/strong><\/p>\n\n\n\n

\u2013\u2013<\/p>\n\n\n\n

AN HISTORICAL EVENT IN TEST FORMAT: FIRE DRILL AT THE VALENCIAN FINE ARTS MUSEUM (GVA)<\/h2>\n\n\n\n

Last Tuesday, July 5th C\u00e1tedra Unesco Forum Universidad y Patrimonio<\/em> attended the fire drill held at Valencian Fine Arts Museum. This institution holds nearly 30,000 works of art, including works by Sorolla, Joan de Joanes and Vel\u00e1zquez.<\/p>\n\n\n\n

The identity offered by the Valencian heritage was tested under the direction of the Agencia Valenciana de Seguridad y Respuesta a las Emergencias (AVSRE)<\/em> and the Direcci\u00f3n General de Cultura y Patrimonio,<\/em> who coordinated a hundred troops belonging to the Servicio de Bomberos del Ayuntamiento, Polic\u00eda Local, Unidad de Patrimonio de la Generalitat<\/em> and Conselleria de Sanitat.<\/em><\/p>\n\n\n\n

Around 11:02 a.m., the acoustic alarm sounded alerting the beginning of the drill and all teams were mobilized to carry out, first, the evacuation of the people who were in the rooms, the control of the fire and the subsequent transfer of the simulated works of art.<\/p>\n\n\n\n

This procedure based on emergency training has been funded by the Ministerio de Econom\u00eda y Competitividad<\/em>, whose objective is to generate a wide vision in terms of emergency response strategies in scenarios such as the museum.<\/p>\n\n\n\n

The technical staff of the Institut Valenci\u00e0 de Conservaci\u00f3, Restauraci\u00f3 i investigaci\u00f3<\/em> (IVCR+i) <\/em>established a working hierarchy that made possible to optimize all actions. It was possible to observe the division of work into three large groups:<\/p>\n\n\n\n

\u00b7 Technical Group (TG) of manipulation: in charge of the evacuation of the museum's works. The entire team wore full Tyvek\u00ae coveralls with a reflective armband and the corresponding logo of the institution.<\/p>\n\n\n\n

\u00b7 Triage Technical Group (TG): once the works had been placed on the tables that Protecci\u00f3n Civil<\/em> had set up under improvised tents, the technicians analyzed the state of conservation, identifying pathologies and establishing a division between works wet and dry.<\/p>\n\n\n\n

\u00b7 Technical Packing Group (TG): at this point, the works that needed urgent intervention were packed up with tissue and transferred to the transport vehicle wether those that did not show any deterioration were packed up with tissue and delivered to museum's warehouse.<\/p>\n\n\n\n

All these procedures were monitored from a control point set up instantly by the firefighters after their arrival and were attended by representatives of all the participating forces and members of the Mission Track Ingenieria y Sistemas S.L<\/em>. team, which has developed an app (Mission Track<\/em>) that allows the status and evolution of the procedures of the art works to be monitored in real time. V\u00edctor Ba\u00f1uls (scientific director) and Eduardo del Palacio (software engineer) attended the simulation on their behalf.<\/p>\n\n\n\n

In addition, both guests and observers were present who gave a final report on the improvements of the performance. Among them were, for example, representatives of the Instituto Andaluz de Patrimonio Hist\u00f3rico (IAPH).<\/em><\/p>\n\n\n\n

Finally, it is worth mentioning the work and predisposition of the 15 Civil Protection volunteers from different municipalities in Valencia, who were previously instructed in the proper handling and transport of art works.<\/p>\n\n\n\n

To sum up, an historic event in test format which allows us to be alert and prepared in case of an imminent catastrophe, such as fire. All the identity that gives valencian art was highly protected thanks to the cooperation of all the technical and security forces. Knowing the value of what we have is the key emergency strategy for the protection of our cultural heritage.<\/p>\n\n\n\n

\u2013\u2013<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

El pasado martes 5 de julio la C\u00e1tedra Unesco Forum Universidad y Patrimonio Cultural (UPV) acudi\u00f3 al simulacro de incendio realizado en el Museo de Bellas Artes de Valencia. Esta<\/p>\n

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