desastres naturales<\/strong>.<\/p>\n\n\n\nLa historia de Italia y su conjunto art\u00edstico han sido privados, en numerosas ocasiones, de piezas que configuran una parte importante de su cultura. St\u00e9phane Verger, director del Museo Nazionale Romano afirma que cuando aparecen objetos sustra\u00eddos, no se conoce la procedencia, pero normalmente son atribuidos a las regiones de Etruria o la Magna Grecia. Uno de los ejemplos de los objetos recuperados es un cr\u00e1ter ceremonial de terracota del siglo VII a.C, pintado en blanco con p\u00e1jaros acu\u00e1ticos. Los investigadores relacionaron este tipo de pieza con la t\u00edpica de un lugar antiguo de Lazio. En estos trabajos de investigaci\u00f3n, se pudieron encontrar tumbas destruidas y expoliadas que, en colaboraci\u00f3n con la Fiscal\u00eda Italiana, se han podido rescatar objetos que provienen de estas excavaciones clandestinas que datan del siglo VIII a.C y el siglo III d.C.<\/p>\n\n\n\n
Los Carabinieri son el cuerpo encargado de la Protecci\u00f3n del Patrimonio Cultural<\/strong> y han intervenido 1.3 millones de obras falsificadas gracias a la ayuda de investigadores como historiadores del arte y restauradores. Gran parte de estas obras han sido repatriadas de Estados Unidos, especialmente de colecciones de museos, coleccionistas privados, casas de subastas y galer\u00edas de antig\u00fcedades. Suelen ser objetos etruscos, de origen griego o restos romanos.<\/p>\n\n\n\nTodos los objetos conseguidos y recuperados permanecen en este museo antes de ser devueltos de nuevo a sus lugares de origen. De esta manera, durante la estancia en este espacio, las piezas cuentan a los visitantes del museo, no s\u00f3lo la historia de su origen, sino tambi\u00e9n, las vicisitudes vividas con la finalidad de concienciar a la poblaci\u00f3n del peligro de pr\u00e1cticas il\u00edcitas como el tr\u00e1fico de arte. Esta iniciativa pretende, por tanto, acercar a la gente de una manera real, directa y particular, que el patrimonio cultural com\u00fan debe descansar donde su historia vaya a ser respetada, escuchada y valorada desde un compromiso moral<\/strong>.<\/p>\n\n\n\n__<\/p>\n\n\n\n
ITALIAN MUSEUM OF RESCUED ART<\/h2>\n\n\n\n
The National Museum of Rome<\/strong> has inaugurated a space called \"Museum of Saved Art\", where pieces that have been victims of theft<\/strong>, illegal trafficking<\/strong> or damaged in wars and natural disasters<\/strong> are exhibited.<\/p>\n\n\n\nThe history of Italy and its artistic ensemble have been deprived, on numerous occasions, of pieces that make up an important part of its culture. St\u00e9phane Verger, director of the Museo Nazionale Romano says that when stolen objects appear, the provenance is unknown, but they are usually attributed to the regions of Etruria or Magna Graecia. One of the examples of the recovered objects is a 7th century BC terracotta ceremonial crater, painted in white with aquatic birds. The researchers related this type of piece to that typical of an ancient site in Lazio. In these research works, it was possible to find destroyed and plundered tombs that, in collaboration with the Italian Prosecutor's Office, it has been possible to rescue objects coming from these clandestine excavations dating back to the 8th century BC and the 3rd century AD.<\/p>\n\n\n\n
The Carabinieri are the body in charge of the Protection of Cultural Heritage<\/strong> and have seized 1.3 million forged works thanks to the help of researchers such as art historians and restorers. Many of these works have been repatriated from the United States, especially from museum collections, private collectors, auction houses and antique galleries. They are usually Etruscan objects, of Greek origin or Roman remains.<\/p>\n\n\n\nAll the objects obtained and recovered remain in this museum before being returned to their places of origin. In this way, during their stay in this space, the pieces tell museum visitors not only the story of their origin, but also the vicissitudes experienced, with the aim of raising public awareness of the danger of illicit practices such as art trafficking. This initiative aims, therefore, to bring people closer in a real, direct and particular way, that the common cultural heritage must rest where its history will be respected, listened to and valued from a moral commitment<\/strong>.<\/p>\n\n\n\n__<\/p>\n","protected":false},"excerpt":{"rendered":"
El Museo Nacional de Roma inaugura un espacio llamado “Museo de Arte Salvado”, en el que se exponen piezas recuperadas de robos, expolios, guerras o desastres naturales. <\/p>\n","protected":false},"author":11561,"featured_media":6879,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[10],"tags":[16,195,193,88,194],"class_list":["post-6878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-catedraunescoforumupv","tag-arte-salvado","tag-museo","tag-patrimonio","tag-roma"],"yoast_head":"\n
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